"Bright Lights, Big City" by Jay McInerney
Writing in the second person can be draining - the constant balance between the character and the reader and having to maintain both the distance and the familiarity is something few writers tackle other than in short stories (Junot Diaz is the perfect example). But Bright Lights, Big City manages to produce the first “great” second person narrative that I can think of. From the very first pages where McInerney throws us into New York night life, we are confronted with a character who is both strange and familiar who is moving in a New York that is both strange and familiar. As a fact checker at a major publication who is getting over the fact his wife, who happens to be a model, has left him, the protagonist struggles with a dual desire to be isolated and comforted by others.
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