Tuesday, July 1, 2008
“Had Its Moments, But Mostly a Disappointment”
I’m not sure what I was expecting from this. Someone told me that anyone familiar with the law would see how poor Grisham’s books were, legally speaking. I’ve only had a year of law school, but I didn’t notice anything glaringly wrong with the legal material. All of the problems were with everything else.
The story starts out interestingly enough – an eccentric billionaire commits suicide and leaves nothing to his spoiled children. He leaves everything to an illegitimate daughter who is working as a missionary in South America, but who wants nothing to do with the 11 billion dollars. What ensues is a legal battle for the ages.
The best parts of the story are all about the legal maneuvering. There is a 20 page span concerning the depositions where Grisham hits his stride. Essentially, anything relating to law is where the book is strong. Anything relating to character depth and anything emotional is poorly done, even formulaic. He did not even need to bother with the ending since it had been telegraphed for so long.
Gone are the days where Grisham was the master of the legal thriller. This book is one of the many that have grown a part of his slow descent…
Thursday, June 19, 2008
Stunning
"Bright Lights, Big City" by Jay McInerney
Writing in the second person can be draining - the constant balance between the character and the reader and having to maintain both the distance and the familiarity is something few writers tackle other than in short stories (Junot Diaz is the perfect example). But Bright Lights, Big City manages to produce the first “great” second person narrative that I can think of. From the very first pages where McInerney throws us into New York night life, we are confronted with a character who is both strange and familiar who is moving in a New York that is both strange and familiar. As a fact checker at a major publication who is getting over the fact his wife, who happens to be a model, has left him, the protagonist struggles with a dual desire to be isolated and comforted by others.
Monday, June 16, 2008
Fictional Satire at its Best
England, England by Julian Barnes
Tuesday, June 10, 2008
Like a Well-Oiled Machine
Amsterdam by Ian McEwan
There is something almost infuriating about how well Ian McEwan writes. In many ways, there was something very machine-like about reading Amsterdam because of how smoothly the prose and shifts in perspective worked so effortlessly. When reading most fiction, even good and great fiction, you often find yourself seeing passages that don’t work as well or the actual seams connecting plot points the author is trying to move through. But here, there is none of that, and McEwan, with arguably a more deft touch than he exhibited in Atonement, outlines the relationships of his characters so wonderfully that it is hard to see what happens until the very end where you feel chilled to the bone.
Friday, June 6, 2008
Makes Dan Brown Look Like a Genius
The Templar Legacy by Steve Berry
Dan Brown can be blamed for the sudden proliferation of books dealing with quests, historians, and the search for treasure, knowledge and power. The problem is that as much as I am loathe to admit it, Brown is a much better writer than most of the people putting out similar books.
Monday, June 2, 2008
Enjoyable, But No Kite Runner
A Thousand Splendid Suns by Khaled Hosseini
The Wondrous Writing of Junot Diaz
The Brief Wondrous Life of Oscar Wao by Junot Diaz